Cinema of The United State in the mid-20th century

Armageddon, the subject of the course
The last decade of the twentieth century, created a new situation by diversity in the areas of film with a more prominent role in the lives of contemporary American film. Television series were based on the successful films and the overall excitement born of American movies was on popular culture dominated world. America award ceremony of the Academy of Motion Picture Arts and Sciences or the "Oscar" became the world's ceremony and popular film magazines achieved success apparently by insatiable thirst by tapping the background of rumors in the world of filmmaking.
Since the first decade of the twentieth century, nearly 4,000 feature films were made all over the world that only 300 to 400 corporate product videos or Hollywood. But the number dedicated 70% of the world's box office revenues accounted and briefly America's Theater in 1994 was still economically and culturally prolific film industry in the world. The new era has begun that was named the world of picture. The theater is in the nature of their technological superiority of America was seeking ultimate goal of the "power", by making up the image. The annual production of Hollywood in the early twenty-first century was even around the figure of 700 films per year with a net profit of over 15 billion dollars. At the same time, according to a detailed estimate showed that 78 percent of the world's film and television are fed from here. In addition, it is noteworthy that Hollywood has not made a film without objective and in neutral way. America cinema has always translated his theoretical foundations which is product of his ideas and goals into the language of image and psychologically it is well aware of the fact that each image is equivalent to a thousand words.
In the first decade of the twentieth century, two theories were serious about utopia. One was new world order by "George Bush" the father and the other one was end of history "Fukuyama", the Japanese scientist, that the two issues showed political intentions of West in globalization and the creation of a global culture and impose it on the world.
Zionist Jews and Hollywood cinema made in this period meets the needs and reflects the World Zionist policy more than ever, for example a Zionist superstition in the form of movies by subject of coming of the savior and journey to the Promised Land. According to Christians of Zionist and followers of the Protestant Church, Jews are not only followers of a divine religion, but they are a super sect and therefore in times of difficulty and hardship, also another savior will emerge and take them to the Promised Land. It is noteworthy that this savior is not the promised Savior that the world is waiting for. In a place where the first Jewish people's savior, prophet Solomon, the son of David, takes all over the world to his own interpretation, international Zionism also know King Solomon's reign over their natural right and that is why it claims to reign over all the world, and the legend of "Nile to the Euphrates" is only a prelude to the world map of Zionism and the Jewish people. Prophet Musa (AS) is second savior as he freed the Israelites from Pharaoh's oppression and made them cross the sea, and finally pass them back to the Promised Land, and from that date onwards, the Jewish people are waiting for their third savior. But from then on, smaller saviors have emerged, such as "Will Durant" on the set of "Civilization" who knows "Columbus" a Portuguese-born Jew that in order to reduce Jews suffering in Europe in the 15th century he started a holy journey in search of the Promised Land and eventually reached America. That is why Zionists know America as their promised land and New York City has long been known as the capital of international Zionism.
Based on the mythological pattern, Hollywood has depicted many myth trips and cinema of Europe has also established its American rival. Here is an interesting movie like Indiana Jones series, water world made by "Kevin Reynolds" in 1995. And even Grapes of Wrath (John Ford) are made on the basis of the same psychological pattern. So a total, four psychological patterns are in Hollywood movies:
1. Savior and taking his nation to the Promised Land;
2. saving the world from the dangers that threaten its future only by the West and especially America;
3. Persian Gulf as terrorist center of the world;
4. The next war, the final battle between the free world and the world of blasphemy, resulting in a resurgence of Prophet Jesus (pbuh) as the King of the world.
"Evangelists" believe that the United States government will lead the Holy final battle and opponents of Christ will be defeated around the world before the war began causing fear and intimidation in the world. They call intercontinental nuclear missiles blasting of America and Israel as swords of Holy War and know Operation Desert Storm against Iraq in 1991 as a prelude to a prelude to the final sacred battle.
They believe that now Christ is always present in the Middle East in favor of Israel intervenes and demands the Israeli government actually wanted to Christ and the establishment of Greater Israel from the Nile to the Euphrates River is Christ's request, therefore, destroying the "Al-Aqsa mosque" in "Jerusalem" is also an introduction to achieve the same goal, namely they must prepare the Messiah's site that will rise on the temple of Solomon's temple which will be world government site. They believe that this incident will happen after 2000 and before the start of the holy war, terror and fear will occupy Society of America and Europe and the important point is that before the reappearance of the Christ, peace in the world does not make any sense and Christians to accelerate the advent must provide backgrounds for holy war and destruction of the world.
The conviction was strongly promoted in the twentieth century by religious leaders of this sect in the United States and the United Kingdom and dozens of books were published in America and, above all, many movies were made and displayed.

movie of "Nostradamus'" predictions raises reformer emergence as enemies of humanity and freedom and endorsed the views of the West and especially the religious groups and the Zionist Evangelists that know Islamism as a risk factor for the West and the world of capitalism, and in fact, the final purpose of movie is to scare people in the world of the growth and influence of Islam and its spread in the world and the emergence of the great reformer of Islam and promised to end the war and peace and at the end it says so we should not change the future by wisdom and solutions.
Ironically, this was the first film of "Christian" as a director. He previously designed the Star Wars films' scenes and was alienated. The film in cinematic terms, is a long, boring one which has the least amount of information about past lives, beliefs, attitudes and tells the form of the character's predictions. Directed has the least taste and thought and least successful areas of the sixteenth century, the Inquisition courts, has reconstructed the French and history. It seems like that the only goal of film has been realistic presentation of film version of the history and legendary character of "Nostradamus" that it is along with a wondrous scenes of the war, and even it judges as well, but generally the film is cold, low mood and with the least success in building space and believing people and generating interest in the spectator. Humiliation and pity of movie is highly offensive in type of being naïve of director, blocking and simplification.