Now enmity is clear and obvious

For years, they warned us about cultural invasion and objectives behind the scenes of artworks, videos and movie products from overseas. For years, they
Tuesday, September 5, 2017
Estimated time of study:
author: علی اکبر مظاهری
موارد بیشتر برای شما
Now enmity is clear and obvious
Now enmity is clear and obvious

Translator: Davood Salehan
Source: Rasekhoon.net


 

By excuse of the film "The Da Vinci Code"
For years, they warned us about cultural invasion and objectives behind the scenes of artworks, videos and movie products from overseas. For years, they said every day cults and sects emerging in various topics of mysticism and Zen are made by suspected circles. For years, there was enlightenment about abusing unidentified mass moves on the basis of some right demands of the people, but they always look at warnings and enlightenments by pessimistic perspective, and on the other hand, restrict delete of the phenomena with no awareness and enlightenment of thought would have intensified the mentioned look. However, "The Da Vinci Code" Film made by Ron Howard, whose book was a well-selling one as well, beyond its story, which ironically this time directly talks about the ideology behind many art works of Hollywood, is the key for unlocking the mystery of works.
The film (opposed to what was stressed in skyrocketing ads of the world and was followed by some writers and critics!) is not about the Vatican cult Opus Dei, but it is about the secret society of Jews in the name of the secret society of Zion's monastery (intellectual roots of Zionism today) and they claim it was made in the early second millennium AD by one of the kings of France called Gad Ferro Dobolion, who was Christian, who conquered Jerusalem during the Crusades, to remain the important secret of in his family.
From this point the paradox of the film and story starts where a Christian King claiming to have an important Christian secret, forms Jewish secret society to preserve the secret! What is happening? Were not the Jews the ones who accomplished crucifixion of Jesus Christ according to some historical documents and writings?
The story gets more paradox from here by opening corners of the monastery of secret Zion society. Listen! After the main characters of the film: Professor Robert Langdon (American specialist of religious symbols starring by Tom Hanks) and Sophie Fee Wu (expert of decoding of Paris police starring by Audrey Tautou) realize that the staff of Louvre Museum in Paris (from leaders of the monastery of Zion, who was grandfather of Sophie) is killed due to disclosure of the key secret, which he wanted to tell it to his granddaughter, get involve in clashes and ups and downs that step by step led to realizing parts of the mentioned secret to them, and they take refuge to villa of a friend called Professor Sir lee Teabing (prominent historian of the royal palace of England who was called knight by the Queen and did vast investigation about the important secret). Sir Lee reveals the secret of society of Zion monastery for Sophie.
Relying on The Last Supper painting by Leonardo da Vinci, he claims that the Holy Grail which was on debate for many years does not really mean an object, but it is a person, a woman, named Mary Magdalene, who is contrary to all historical traditions, was the wife of Jesus Christ (peace be upon him) and he created a generation. That is why he fled from Jerusalem and he was protected by the Jews in France! (How surprising is this? The Jews that caused the crucifixion of Jesus Christ would now care about his generation!). Centuries later his generation, i.e. children of Jesus Christ combined with a series of French kings that one of their descendants was Gad Ferro Doblion, conqueror of Jerusalem and founder of the secret Zion Monastery society. In order to protect the documents revealing the secret of Mary Magdalene, he hires knights to guard them and the Jews of the Community were keeping the secret and children of Christ in the history so that true Christianity will be away from invasion of the churches! That is really a joke of historians and narrators of today who tell any false thing to audience among attractive movies, and in order the absurdity not to be too much for the audience, they stress their propaganda maneuver on not important aspects of the film (e.g. the sect Opus Dei in the film the Da Vinci code) and, of course, beyond this, they tell ideology of owners of wealth and their employers.
Claim of protecting the secret of Christianity was the biggest trick to cover up the Jewish nature of Designers of story and course the case was not created al of a sudden and it had historical and ancient support, perhaps since early second millennium that sects and mysticism of Judaism were created under titles such as Kabbalah and Franksim and exploited the inappropriate situation of medieval church and suffering that Christian believers tolerated from differences of Christian leaders, and aimed to finally end the isolation of thousands of years of Jews. Therefore, in order to attract Christians to their secret cult (which originally were Jewish character) they defined themselves as followers of initial Christianity and opposed to Christianity of the Church, so they attracted many Christian to their sects. They later claimed that basically Jesus son of Mary was not the Christ of the gospel and the true messenger is Christ, son of David that will emerge in the future. Claim to protect Christ's children is another trick that made Christians about non-believers about Jesus Christ, to prepare them for emergence of new messiah (Indeed from among the Jews). Interestingly, even Theodor Herzl (the founder of the Zionist idea in the late nineteenth century) at first invited people to Christianity and introduced him as follower of the true Christianity.
Writer of the story, Dan Brown, and the makers of the film of "The Da Vinci Code" this time unlike the usual ideologues of Hollywood, (perhaps intentionally) expressed themselves in slogan form and clear ideas, and in contrast to what arises in the film, they have not gone among the stories and music full of symbols. (In the book and the film is raised that throughout history many artists who were followers of the monastery of Zion, at the same time were revealing the secret of Mary Magdalene, the Holy Grail and the Chris's children, and in fact they made propaganda of ideology of Zion and the following names of individuals and works are explicitly mentioned: Leonardo da Vinci, who was a master of the monastery, and Botticelli and Victor Hugo and Sir Isaac Newton and Beethoven and the Magic flute Symphony and Walt Disney and his famous tales like Cinderella and snow white and sleeping Beauty and other cartoons like Shrek and Harry Potter and mermaids because they were all looking for lady or children of the Lost generation and the secret of Cup. (I personally add cartoons such as the adventures of Hutch the honeybee and Hannah, the girl in the field that were broadcasted from television for years as well!) Characters and especially symbols of Zionism (or the Star of David) are clearly pointed out in different parts of the book and movie. Many times in the various chapters, the triangle and the direct and reverse pyramids in combination with symbols of Zionism are emphasized and it is displayed in multiple images. in the explanatory dialogues between the characters in the film and the long monologue of Sir Lee Teabing and also later in another description from Professor Langdon, symbol of Zionism, sign of holiness of Women and men are considered as relationship balance between them and the power of humanity and even on the entrance of the Raslyn worship place (end of the address which is obtained from secrets of Sophie's grandfather and at the end of the film in the main monastery of Zion and the fans of generation of Jesus Christ and Mary Magdalene are introduced) the Zionism symbol is clearly in frame of video camera. The sect is active now as Kabbalah (Association of Sufism of Judaism) and of course, these days it is not a secret, and does activity well-publicized under support of its wealthy Heads in the largest corporate industrial, commercial companies and world media.
It is interesting to know that the 75-year-old leader of sect called Fewal Guru Burger, who is known by the name of Philip Burg and is one of the powerful ones behind the scenes of Hollywood according to The Daily Mail, established Learning Center of Kabbalah by the help of his wife, and they have attracted many famous actress, including Madonna, Elizabeth Taylor, Barbara Astrayslnd, Diane Keaton, Demi Moore, Britney Spears, Winona Ryder, Mick Jagger and even footballers such as David Beckham and his wife who have joined the cult; there will be no more hesitation to promote the ideology and thoughts of the new Judaism or Zionism among multiple movies of Hollywood when in the film "The Da Vinci Code" there are talks about searching the Holy Grail by the creators of works of art and even they are named openly.
Now you can see why liberation city of "The Matrix" has a name like Zion or the Jewish underground monastery and Zayan (English pronunciation of Zion)? Why they spend prohibitive cost for the old story of Harry Potter? Why they just represent Titus' story who massacred Jews from all the bloodthirsty Roman emperors in the format of film?
Now we can realize where sex sequences in most Hollywood movies are from, and what thinking and source do bizarre sexual mysticism cults have or where some extremist feminist supports of women's rights come from.
This time, it seems like they have revealed enmity openly as the cultural army of the CIA and NATO openly define themselves. According to the writings of Francis Saunders in "The Cultural Cold War": The CIA and the world of art and literature, which are set based on memories of Kurdmeh Yer, head of international operations of the CIA and his friend, Arthur Schlesinger Jr., and Melvin Laski from senior members of the Central Intelligence Agency (CIA ), the CIA established a major news network for propaganda against the East block by about 34 million dollars of capital and use Jackson Pollock the painter and Arthur Koestler, Sidney Hook, Inatsive Silone, George Orwell and all against the so-called threat of communism.
Another cultural agent of the CIA or as Ms. Sanders says "cultural network of NATO" is Richard Condon who wrote the novel The Manchurian Candidate.
Now the Zionists have revealed their cultural officials. Perhaps these were non-useful agents and henceforth, there are new programs and projects on the agenda.

/J

 


Send Comment
با تشکر، نظر شما پس از بررسی و تایید در سایت قرار خواهد گرفت.
متاسفانه در برقراری ارتباط خطایی رخ داده. لطفاً دوباره تلاش کنید.