The narration method in a conflict between modernism and traditionalism

So, what Goethe writers in Faust tragedy, Eshgi discusses the destruction of traditional values and the loss of them. But attribute it is not because of the collapse of the traditional values to chance but, because Margaret (Gretchen), Shemirani girl in this transition period was victimized. Eshgi so elegantly changing the face of rural versus urban figure and the urban becomes the symbol of debauchery for her. The demolition of ancient Shemiranat structure under the influence of modernism pattern influential in Tehran in all areas as opposed to the values and norms of the new world, will happen along with ancient world. The phenomenon of coming the neighborhood o "New City" as a notorious neighborhood in Tehran, is an event that have previously had no place in the traditional city . Of points is being mentioned in town that is supposed hereinafter becomes the location for those that are victims for heavy changes. However, Maryam's Suicide itself is a new concept in the values of the modernism. The suicide in ancient concepts and their values is bad. The surrender of ancient ties to new communications is a theme that Marshall Berman in processing the tragedy of Faust says: The Gretchen (Marguerite) is undoubtedly more beautiful, but Faust is ultimately more rewarding. It contributes to the survival of the soul and allows it by passing time in a more successful way to deal with the old world. The ultimate champion in Gretchen's tragedy is the old world.
The way of Maryam's death like Gretchen was mixed with a sort of "willful, deliberate and horrifying and she is responsible for her death. The Death of Mary like the "the destruction of the Gretchen in Small world, ironically represents a crucial step in the destruction of this world. Whether or enclosed the surrounded city that refuses or fails to develop and evolve along with their children, eventually will become a ghost town. Changing the face of shemiranat and undermining its old structure under the influence of Tehran modernization development model happens in line with the transformation of traditional values and norms. Thus, the residents of this small world consider Tehran as the main culprit in the problems and issues caused by the contrast of old and new since past. The power of penetration of new values and its inhabitants in complex biological is matter which hardly harms the adhered generation to traditional values. The second panel titling "the story of Maryam's father and his ideal" in a special way describes the history of Iran during the life of Eshgi and finally the Portraitist loving utopia "is the old peasant. If Faust's play that Goethe wrote it over sixty years of his lifetime was considered a reflection of the turbulent events in 1770 to 1830 in Europe. The Play of three boards also in a way describes the events happened during the life of Eshgi in another way in her third portrait. Thus, it puts a history of the years before the constitutional revolution until the time of the writing work. This painting follows the story three days after the death of Mary. When the poet, as a spectator and narrator, decides to talk in order to soothe and comfort her father.
In this interview, the modern man is criticized by the old man and Eshgi. So, Eshgi is a modern individual caught in a contradiction within itself and income and between past and future.
Modern person without knowing himself has suffered changes and distanced from ancient beliefs. He puts everything on the basis of reasonableness and rationality; everything is checked based on his experience. The sacred halo collapses and nothing can stay firmed and stable. Eshgi as a modern person is in a hard forgetting of the future and loving the future.
Since beginning, Tehran is the symbol of modernism and Tehranian person is the symbol of modern person and the town is the symbol of traditionalism and Kermani person is the symbol of pre-modern individual and all the dialogue is about this relation. Values like dignity and self-esteem verses the fleeting and momentary whims lose color and miss the shape so; whatever has true and old meaning facing modernization becomes colorless. However, the new values are defined that creates new classifications of social, political, administrative, economic and cultural values to the scene. The classifications that since past are defined based on how to communicate with the modernization and whatever regarded respectful is colorless and even is negated as Mofistofles writes in Faust play: "I am that soul that denies everything ". So, by the presence of dead –washer on stage, "Eshgi" expresses a bitter irony. The dead-washer is the one who does not care what sort of body he washes and therefore violates all the values and norms respected by old Kermani man and violates his position in court and the government and occupies his position in the government. Job opportunities do not form based on values, merits, new relationships and norms. Then the government wants whatever had wanted Kermani man and he acknowledges this issue and says " you say the God wanted so, accepts this case and says: "I am the one who say Amin to this pray. Crossing the threshold of moral values is flowing and everything makes the administrative hierarchy also changes. And "In short, he owned the job, title and position" and "After two months of position the" Old Kermani Man "was given to her" and the ruling of Kermani people was given to the Dead washer.
Constitutionalism is also a voice of social changes. Thus, people are in the process of renewal and new behaviors attitudes distinguished from the modernization. Modernity and modernization is demanded from below and city is place for this innovation and modernization. It is natural that by waking up of dormant forces, modernization opposes from the bottom verses up which instantaneously sent up. The person seeking modernism is expelled from the city and by changing the self that is regarded of characteristics of the modern world joins the Constitutionalists. He becomes the creator of modernism that later stops her and steals her daughter from her. He leaves Kerman to go to Tehran, a city that wants to be the symbol of modernism and it is because of this reformism is that the old man is welcomed. Also it happens by the remarriage that its basis is appearance of the old man in the modernist role and it this role that makes her not to accept the small era of despotism and negates it. The city enters into the story, the new parliament located in the city and shelling the parliament changes into the city event. Secondly, the great city has been shaped by the soul of modernity; it becomes a place for getting lost in the crowd, becoming anonymous and unidentified. To hide, to discard distinctive halos and modern city has new actors facing the anonymity of the modern individual; the secret police is also forms. The Police that is supposed to anonymously respects a modernist and conducts anti-modernization activities and fights against the oppositions. So, the Symbols of the modern city, is being changes and is forms in the context of meaning and metaphors. The modern city becomes the place for events and accidents from Naein to Khomeini till Ray and Tehran. Social forces, freed from the shackles of the ancient world can no longer return to the old routine, so, their social demands were suppressed at a time, however; the demand of modernization and renewal is more stronger than to be surrendered and waiting for other times to make the city chaotic. The city becomes the place for these events. Chaotic city is not limited to Tehran the modern city so, the story beginning is regarded of the modernist city. Tabriz and other modern city, Rasht and almost all the modernists that in this era are writing have inevitably spoken of the modern individual, modern city and modern interactions. Modern man is not in search of his Statistics and joins the chaos city. The modern city is becoming the scene of memoir. Tehran does not tell the story of its European culture. In his story, the epics and revolutionary fervor is entered, from all over the country the fighters come so that anyone in the neighborhood of modern city creates memories and narrates the stories of the city in the context of reality and imaginary. The story of the revolution is involved in the story of modern city; the city becomes the place for revolutionary forces that have formed the revolution. The revolutionaries do not return to their towns accommodates in Tehran and its surrounding suburbs so, Tehrani or Shemirani are also part of the city story. Those who were once creating the memory, sat down to watch other events.
It is when those other urban actors, actresses belonging to the old order that receded by calming the situation and the demands of the new government to Artisan slowly returns. In modern society that is still in transition from the pre-modern to modern and still civil institutions have not formed in it , the old relationships are easily hidden behind the mask of modernism and modernity of the place and is newly formed. Eshgi in these parts speaks of social heavy parts and the opportunist caused by it and the fact that how relationships and old norms put a mask of reformism on the face and in a new format go on the same old routine. Eshgi due to the presence of these relationships behind the modernist face that considers all his passionate and political figures of his time like this Dead washer dishonorably and away from moral values in the new garb is put at odds with the values and norms of modern and traditional and cultural behaviors and norms. The Values that Marshall Berman in "modernity analysis", citing Marx says: "whatever that is holy becomes worldly. It is not holy, modern men and women, so that any fears will not stop them and they do not fear and shake may be they do think of anything and freely if their individual interests requires violating everything and everybody. The sacred halos all formerly respected halo of sanctity and considered with humility were removed. So, as Eshgi points out as, he has well-described his utopia is well described.
The Utopia that is proposing is to demolish the process of destruction and these frequent demolishes that the concept of modernity is manifested and the Utopia which is seeking to narrate the style to narrate modernity and modernism