The End of World in the Films of Hollywood - 1

For the first time in 1910 CE. A movie titled comet showed the disaster of the world and its collapse. The implications of this phenomenon with Earth causes the explosion of
Saturday, October 15, 2016
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author: علی اکبر مظاهری
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The End of World in the Films of Hollywood - 1
   
  The End of World in the Films of Hollywood - 1

 

Translator: Davood Salehan
Source: rasekhoon.net





 

For the first time in 1910 CE. A movie titled comet showed the disaster of the world and its collapse. The implications of this phenomenon with Earth causes the explosion of cars, setting houses on fire and melting of metals including gold things of a miser, and he motivates people on the ground to search for water. In the end what remains is the prospect of a desolate and ruined world. In 1916, we see continue of this experience in a film titled "the return of comet". Gas given off by the disaster has caused recession and has slowed things on Earth. Asteroids that are thrown to Earth have flames with them and destroy everything. Major water earthquakes have turned oceans to an unsafe place for all creatures. In this movie that the only survivals are a man and a woman with cameraman can survive the disaster and all other people are in danger of destroy. Movies with the title of apocalypto have been made in 1916 CE and 1922 CE in the next decades that in a way have stories about this. We have a directed version of "Abel Gance", the famous French film director, in 1931 that once was adopted from a novel of the same name and was written by "Camille Flammarion". In this movie there was also triangular love story of a jealous banker and an insane writer.
The Movie "Flood" (1933 CE.), whose story is adapted from a book of the same name written by "S. Fowler Wright", the famous author of the novel, is considered as a missing classic work.
In the same years, movie collections with popular shows such as S.O.S. Turbulent Waves (1938 CE.) had made cinemas into attractive places. Sometimes the tragedies were created as a result of a nuclear explosion, and usually two people's quarrel over a young woman was added for appeal. Other films with other titles such as "when the worlds crash together" (1932 CE.), which were mentioned in the previous sections and in the year 1951 was created by "George Paul". The movie shows the destruction of the world in a glorious way in Technicolor attitude. Sequence of the final fireworks in the film is the time when "plow star" passes from the edge of the earth and forty chosen men are sent to the planet "Zayra" with a rocket. Despite the limited possibilities of cinema at the time, the movie is still spectacular.
Movies "the night when the world was exploded" (1957 CE.) and "a crack in the Earth" (1965 CE.) each one in some way are referring to the anxiety caused by the experimental explosions and sometimes natural explosions and in their kind, they announce the danger of Earth's destruction. With the beginning of the space age, past science fiction cinemas found aspect of today's documentary, while tomorrow has not yet begun. In other words, this was not the end of it, but this was the beginning of a new era.
Themes of science - fiction movies related to the end of the world and explosions emerged from nuclear bomb as were mentioned in last sectors continued in various forms to the 1980s and as we saw in the eighties and nineties gradually problems of the end of the world, apocalypse, evil and opinions of Ayvanjlysts were formed in the form of since - fiction films and even daunting and police movies. Generally, in the mid twentieth century it was determined that cinema as an industry and art can have a vast place by applying other arts. On the other hand, cinema pictures due to having a specific place in mental system of human being and as the information is received through pictures can be the best weapon for direct effect on special issues of inside human such as the destiny of the world, apocalypse, and other same subjects.
Apocalypse and final battle in the form of a battle between good and bad have occupied human being's mind since far pasts, and cinema that is considered as the most modern company of fantasy making and a remarkable tool in development of materialist civilization, has been able to be a tool for scientific study and concentration on apocalypse issue by having apparent and deceiving attractions.
Philosophical or metaphysical backgrounds and materialist origins of cinema and even the use of techniques of cybernetics warfare and special psychological operations have also made significant contributions in this case. For making this type of movies they have been using special professions and huge amount of finance for years, and in all of them the Hollywood cinema has considered west and western symbols and signs and characters influenced by western culture and all its pictures as good elements and the opposite elements are considered as bad and evil elements.
However, after World War II and the Cold War, cinema showed an extensive approach to the issue of apocalypse. At the time, Nazism and communism were the various forms of evil front. With the collapse of East camp, the era of opposition with revolutionary Islamic civilization and thoughts and a certain kind of approach to apocalypse issue was raised. Hollywood cinema and also western media has always known himself as white and good side and others as black and evil side, and in the most of the movies they show the creation of insecurity and horror and anxiety as an introduction for acceptance of superior power and rough and violent kingdom in Technicolor and glorious ways which were analyzed in the previous sections of the book.
In those years, films such as "the night when the world was exploded" (1957 CE.), "a gap in the Earth" (1965 CE.), which was about nuclear war, "a horror film in Year Zero" (1962 CE.) which was discussed in the past sections and its other name was "the end of the world" were also directed. Other prominent films with the title of the end of the world have been produced in the years 1934 AD., 1977 and 1995. And the last film was made in Japan. About 45 films were made from the early 1930s to 2005 with a title like this in America, Germany, Japan, which mostly were Hollywood's product.
Hollywood by making other films such as Nostradamus, the next day, the fire kingdom, Independence Day or Rmegdun in various forms tends to say that after the world ends, there would remain nothing but vast destruction and annihilation of the human race, but sometimes some people are in an effort to renew the remaining life and try to create a Zionist regime.
Hollywood's purpose is to maintain unknown and huge fear and horror in the minds of naive and undefended audience, and through this, Hollywood tries to transfer main apocalyptic interpretations of non-divine books such as Talmud.
Continuity of Hollywood film making and its mass is much efficient and operational. The issue of presence of a lifesaver and apocalypse, disasters and problems of before his raise and war and fight is among all of these movies, and the appealing point of audience is also here. Cinema by centering on bright parts of audience's mind can enlighten other dusky parts and inject their desirable picture in them, and make that western saver myth in western Christian Zionism thoughts acceptable for millions of audience that the best version is the Matrix which we discussed it in previous parts.
Today's Hollywood cinema which is dominance of world cinema culture in various forms, is essentially function of mentioned theories in the contemporary world such as the end of history and theory of the clash of civilizations. In most Hollywood movies apocalyptic savior issue is very pale and discussion of destiny of the history is highlighted.
Even in the movie of "the Lord of the Rings" the battle between good and evil arises that its look and approach is the same look of Terminator 2. In these films the way of battle of good and evil, weapons and humans are uncommon. Pictures of these movies are kind of similar to conceptions of waiting and the destiny and apocalypse in religious and mythical texts, and they provide complicated materialist religious concepts such as nature, humanism, secularism, determinism, and fatalism and finally dependency to update technology.

 



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